When I was first getting into jazz guitar, I practiced sight-reading by playing through all the Real Book volumes. At first it was slow going, but my sight-reading gradually improved. At this point, I can sight-read just about anything at tempo unless it's a really fast bebop tune.
My piano playing skills are gradually improving, and I'm finding that I'm able to learn new music more quickly. I still can't play anything up to performance tempo, but I'm getting close. Just as it is with guitar, I feel it's crucial for me to sight-read well on piano. One of my main goals is to be able to play hymns for church services, and I also want to be able to cover the piano accompaniment for choir if there is an emergency with our paid accompanist. In both cases, I need to be a good sight-reader.
To develop my sight-reading as a pianist, I'm slowly making my way through the Unitarian Universalist hymnal, Singing the Living Tradition, just as I used the Real Book for jazz guitar. I'm killing two birds with one stone by simultaneously developing my sight-reading skills while learning the hymnal in depth.
At this point, it takes a while to slog my way through a few hymns. This can be frustrating, but I keep reminding myself that this is the way it was when I started reading through the Real Book on guitar. I'll get there. My guess is that I'll feel comfortable making my piano debut in early 2013.
When I read the title I thought it was going to be an argument against the teal hymnal and how the grey is the "real" one. Now I have learned a new thing!
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