About Me

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Atlanta, GA, United States
When I suffered a lip injury that ended my career as a classical trombonist, I thought my life as a musician was finished, but I fell in love with music all over again when Santa gave me a guitar for Christmas in 2003. Even as I was struggling with my first chords, I was planning a new performance career. As a trombonist, I performed with the Heritage of America Band at Langley Air Force Base, the Ohio Light Opera, and in pick-up bands for touring acts that included Rosemary Clooney, George Burns, and the Manhattan Transfer. Reborn as a jazz guitarist, I sing and play my own solo arrangements of jazz classics, am half of the Godfrey and Guy duo, and hold the guitar chair in the Sentimental Journey Orchestra. I have been a freelance music copyist since 1995, served as Director of Music at Northwest Unitarian Universalist Congregation from 2011 to 2017, and currently serve as Contemporary Band Director at the same congregation.
Showing posts with label conducting. Show all posts
Showing posts with label conducting. Show all posts

Friday, July 26, 2013

UUMN Conference, Day 3

Another day at the UUMN conference in Dallas. I continue to learn a lot – much more than I could possibly process. I'm glad I'm taking notes! I also learned that handouts from the sessions will eventually be available on the UUMN website, so that'll be helpful.

We started with another service, and then we had an excellent plenary session. By the way, I had to look up "plenary" to learn that a plenary session is a session that everyone can attend. There typically four or five things happening during any given time slot, but nothing else is scheduled during the plenary session. If I learned nothing else today, I know what a plenary session is. Anyway, the plenary session was a good one. The focus was how to use technology to enhance a service rather than just using technology for the sake of using it.

After the plenary session, we had another good choir rehearsal. I am a conductor who stops and starts frequently, which I'm sure exasperates my choir. This conductor does the same thing. Now I know what it feels like to be on the receiving end. That doesn't mean I'll change! It just means that now I know how it feels. (I'm sure my choir members will be amused to read this.)

One of the choir pieces is in German. I can fake my way through Spanish, Latin, and Italian fairly well, but not German! The conductor talked us through it. I made notes as quickly as I could, but I wasn't able to keep up. Fortunately, my roommate is an opera singer who is used to singing in German, and he's agreed to help me with my pronunciation.

I brought my guitar and managed to fit in an hour of practice during lunch. I noticed yesterday that a few others brought instruments and managed to find rooms to hide away to practice a little. (It's a big church.) I followed suit and did the same today. I'm enjoying the conference, but it was nice to have a quiet moment with my guitar. I don't think I'll be practicing on my own tomorrow, though. A piano player spotted me today and remembered from the newcomer introductions that I was a jazz guitarist. He invited me to a jam session tomorrow during lunch. How can I say no to a jam session?

Following lunch, I attended a piano literature workshop. From this workshop, I received information about collections of piano music that work well for services. I'll take that list home and give it to NWUUC's accompanist and to the piano players in the congregation.

After the piano literature workshop, I attended a session by Paul Tucker, our choir director. His talk was about unifying a choir with vowels and relative volume. Frankly, I was out of my depth in this session, but maybe what he told us will make sense after I've had more experience as a choir director. I did pick up a few good tips, but I honestly found myself wishing that I had attended the workshop in creating a musical meditation service, which was going on at the same time. This is why I'm glad that each workshop's handouts will be made available on the UUMN website.

We ended the day with another choir repertoire reading session. We read through a lot of music for advanced choir. There was some challenging music in that batch! It was beyond what our choir can currently handle, but we did read through one piece that I think would be within our reach. Also, I had engraved three of the pieces that we read today. Again, I had to resist the urge to elbow the person next to me and let him know whenever we sang a piece that I engraved.

There is a banquet tonight, but I am just too tired to go. I am absolutely wiped out. I'm going to grab a bite and then turn in early. Tomorrow is a longer day, and I need to rest up.

Tuesday, August 16, 2011

New Job, New Directions

A few days ago I celebrated my 45th birthday. I'm not big on parties, so this birthday was low key as usual. I received a few phone calls and about a million birthday greetings on Facebook. My Tea for Two partner treated me to lunch. Aside from that, about the only thing I did was win the music director job at Northwest Unitarian Universalist Congregation. That was a pretty nice way to celebrate my birthday.

Another finalist and I auditioned by rehearsing the choir. I've stood in front of the Northwest choir many times as a substitute conductor and an interim director, but this was different. My heart was pounding! The choir took a break after the first candidate finished. As I was waiting in the library for my turn on the podium, I overheard someone say "I really liked him." That didn't do much to sooth my nerves. When it was my turn, I did my best NOT to impress or show off. I knew the choir would soon be singing at least one of the audition pieces for a service, so rather than try to dazzle with my brilliant knowledge of whatever, I treated this as a regular rehearsal, with the intention of helping the choir prepare for their first service of the new choir season, regardless of who ultimately got the job.

A couple hours after rehearsal, the committee chairman called me to let me know that the choir enthusiastically endorsed me, and that they would recommend me to the board of trustees, who would then vote yes/no and extend me an offer.

The most visible part of the job will be directing the church choir. Aside from that, I'll oversee all the musical goings on at Northwest, playing for services, scheduling musicians to play on my Sundays off, and helping to plan services.

This is a part time job with a time commitment of 10 hours per week, leaving ample time for music engraving and guitar performance aspirations. There are sacrifices to make. I gave up my guitar chair in the Atlanta Swing Orchestra because they rehearse the same night as choir. I won't be actively recruiting students anymore, although I'll be happy to schedule lessons with anyone who approaches me. It'll be important for me to budget my time so that I only commit to 10 hours per week. This is partly for my own sanity, so I can resist the urge to overcommit, but it's also important for the music director who follows me. It wouldn't be fair for the next director to be expected to work 20 hours a week for 10 hours pay.

This is a new chapter in my musical life, and it's be a prime opportunity for personal growth. While I'm thrilled to get the job, I'm also a little nervous. I've been a freelancer for so long that I haven't had a real job in nearly 15 years! I haven't had to deal much with workplace relationships, because it's just been me sitting at home in a t-shirt for over a decade. Having to answer to more than just my clients will be an adjustment, although I think I'll manage to survive. I'll have buy more than two pairs of dress pants.

This is also a golden opportunity to grow as a musician. I'm a competent choir director, but not a great one. I've had experience and training as an instrumental conductor, but the only formal training I've had as a choir director is a choral conducting class I took as an undergrad at the University of Illinois many moons ago. I've learned quite a lot about choral conducting through observing other good directors, including former Northwest music directors Sarah Dan Jones and Kathy Kelly George, as well as Jerid Morisco, who conducts the Marietta Master Chorale. I've also had experience working with the choir the three times I was interim music director at Northwest. Now that I'm in the position of choir director, I'm about to get a whole lot more experience! I plan to seek out conducting workshops and other opportunities to grow as a choral conductor. I can speak with great authority as an instrumentalist, and I look forward to speaking with the same authority as a choral conductor in the not too distant future.

My goal with the program at Northwest is to raise the level of music in the church and sustain it. For various reasons, the program has been up and down. I would like for the music at NWUUC to be so good, so dynamic, that people return to the church simply because they enjoy music. We already have the musicians to make this happen. I'll soon be hunting down all the instrumentalists in the congregation. I already know we have a first rate percussionist and one of Atlanta's finest guitarists (it's not me). I want to know who plays piano, guitar, zither, ukulele, tuba, or whatever. If little Susie is learning how to play clarinet in her school band, I'll write a solo she can play and accompany her on guitar. I want to get as many people as possible excited and involved in the music at Northwest!

This blog is called Adventures of a Young Musician for good reason. The past few years have been an adventure as I have pursued excellence as a musician, sought out performance opportunities, and experimented with different projects. Those endeavors will continue, and with this new development, I'll soon have another series of adventures to write about.